Pre, Post and Everywhere in Between: Working on Knot For Sale

Film

As I have mentioned in an earlier blog post, I had the opportunity this fall to be the assistant director for Knot For Sale, which is the latest project from UVic’s Writing 420 filmmaking class. I was also lucky enough to be given the reins to co-direct the 2nd unit of Knot for Sale, along with Rylan Gladson (with whom I worked to create Trust.) Either of these roles could have been totally overwhelming alone. I was involved in pre-production, first-in-last-out on set, literally ran from set location to set location, and I’m editing the “flat” version of the film. Unable to really ever push the pause button, I was in the exact role I needed to be in.

Why Accessibility Moves VR Past Being a Gimmick

Film

I recently had the amazing opportunity to be the assistant director for a short 360˚ film titled Knot For Sale through the Writing 420 filmmaking class at the University of Victoria. A 360˚ film is made with a series of cameras that capture all angles around a single point, and is then viewed using a virtual reality headset.

A question the class was posed on the first day was whether virtual reality is a “a gimmick or game-changer.” Go search those terms and you’ll find dozens of articles asking the exact same question. That phrase pops up perennially whenever some new tech bursts onto the scene. Remember when 3D TVs and curved screens were going to become the fixture of every home? And then they weren’t. Google Glass has mostly met a similar, whimpering fate.